I love my iPhone and I often use it in lieu of my SLR. I take thousands of shots a year and spend countless hours editing them with a multitude of apps. So much fun.
ABOVE: Paul Gauguin, Vision after the Sermon (Jacob wrestling with the Angel), 1888, oil on canvas, 28.7 x 36.2 inches
The Art Gallery of Ontario (AGO) seems to be on a role as of late, and it looks like that’s going to continue with Mystical Landscapes: Masterpieces from Monet, Van Gogh and more (opening on October 22). After viewing some of the works on the AGO’s website, I’m most excited to see Vision after the Sermon by Paul Gauguin. Here is a little about the piece.
Painted in 1888 and purchased by the National Gallery of Scotland in 1925, Vision after the Sermon is one of Gauguin’s most famous works, in part, because it marks his transition from plein air landscapes to religious iconography.
In the painting, the women have just listened to a sermon based upon Genesis (32:22-32) which tells the story of Jacob, who, after crossing a river with his family, gets into an all-night wrestling match with an unknown angel. They are separated from their vision by a tree that cuts across the visual plane, and, to draw attention to the scene before them, the ground on which they stand is painted red. About the piece Gauguin wrote “for me, the landscape and the fight only exist in the imagination of the people praying after the sermon.”
In a few months, I’ll get to see it in person. I can’t wait.
Two weekends ago, I visited the Art Gallery of Ontario (AGO) to see The Idea of North: The Paintings of Lawren Harris. While there, I also saw Theaster Gates: How to Build a House Museum.
First, a little about the man:
Theaster Gates is an activist/urban planner/artist whose work seeks to revitalize poor neighborhoods. Living and working in Chicago, he has become famous – in part – for restoring vacant buildings and turning them into cultural institutions.
Now, a little about the show:
How to Build a House Museum is closely related to the work Gates does in Chicago. In it, he seeks to immortalize Frankie Knuckles – a legendary DJ often credited with the creation of House music – by building a museum in his honor. In addition to a mini chapel erected in his name, there is a dance hall with an iceberg shaped disco ball, and funky beats. It is a fun and energetic tribute, but, like most of Gates work, it’s full of cultural/political implications.
Packed with thought provoking imagery and statistics relating to the black experience in America, this is a powerful little show that serves as a nice compliment to the somewhat staid Lawren Harris exhibition downstairs. If you’re heading to the AGO, you should check it out. It’ll leave you with lots to think about.
Theaster Gates: How to Build a House Museum is at the Art Gallery of Ontario until October 30, 2016.
Of all the art shows to come to Toronto this year, none had me more excited than The Idea of North: The Paintings of Lawren Harris. I finally got to see it a few days ago and as I had expected, it was impressive.
The exhibition, which is broken into three parts, begins with work inspired by life in one of Toronto’s poorest neighborhoods, the Ward. It was there that Harris cut his teeth as an artist, and as such, the paintings at the beginning of this section bear little resemblance to those at the end. They’re all good, but the later ones are better.
The middle section stands in stark contrast to the first and contains some of Harris’s most beloved work. The paintings here were inspired by Canada’s arctic, and owing to that, are sparse in nature and grand in scale. Although a bit cold (no pun intended), they are strikingly beautiful and provide a nice escape from the summer heat.
The final section represents yet another shift for Harris and the works on display are mostly abstract. While I can appreciate his artistic evolution, I liked these paintings the least.
If I’m being honest, this exhibition isn’t perfect. I would have liked a little more info on Harris because as great as the paintings were, I didn’t leave knowing much more about him than when I entered. That said, I suspect that for most folks, the artwork itself will be more than enough – there were a lot of people when I went, and they all seemed engaged.
The Idea of North: The Paintings of Lawren Harris is at the Art Gallery of Ontario until September 18, 2016. I highly suggest you go.