Not Your Grandma’s Artist

Last week, I wrote about Grandma Moses. This week, I’m going to write about an artist your grandma probably won’t like. Well, maybe she will. I don’t know your grandma.

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ABOVE: Joel-Peter Witkin, Still Life, Marseile, 1992, black and white photograph

I dig the macabre, watch creepy movies, and enjoy creepy art. Of all the creepy art I’ve seen – and I’ve seen my fair share – none is creepier than that of photographer Joel-Peter Witkin. Seriously. The picture shown here is about the safest I could find. If you want to see more, google him, but be forewarned, he is definitely not safe for work.

As with most disturbing art, Witkin’s work openly confronts death, but it does so while questioning other things such as morality and body image. Academically, within each piece are odes to the histories of photography and art itself. Technically, everything appears aged, and each photo reads like a Baroque painting.

Beyond imagery, I think what draws me to the work of Joel Peter-Witkin is the artistry itself, because, if you can look past its general gruesomeness, the composition and overall mood of his photography is spot on. Other images found on the internet may be more disturbing, but they’re not necessarily art. Joel-Peter Witkin is an artist, and a talented one at that.

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Your Grandma’s Artist

You’re never too old to set a new goal or dream. An example of this can be found in the life and work of Grandma Moses. She started her art career at the age of 78.

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ABOVE: Granda Moses, 1969 postage stamp based on her painting ‘The Fourth of July’

Born in Greenwich, New York on September 7, 1860; Grandma Moses (then known as Anna Mary Robertson), was raised alongside nine brothers and sisters, and left home at the age of 12 to work for a wealthy neighboring family. At 27, she met and married, and shortly thereafter, began having children of her own.

Over the years, she and her husband continued to work for the wealthy, until they were finally able to purchase a farm of their own. After losing him to a heart attack in 1927, she continued working until 1936, then retired and moved in with one of her daughters.

While she had been creative all her life, and she often made embroidered pictures for friends and family, it wasn’t until she was 78 that she began painting. Her folksy, rural themed artworks, quickly gained attention, and in 1940, she had her first solo exhibition titled “What a Farm Wife Painted.” It was around this time that the press dubbed her Grandma Moses.

In her time as a professional artist, Grandma Moses was awarded two honorary degrees, and was presented with an award for outstanding accomplishment in art by President Harry S. Truman. In 1951, the National Press Club named her one of the year’s five most newsworthy women.

Grandma Moses passed way in 1961 at the age of 101. Her works can be found in numerous collections around the world, among them, the Metropolitan Museum of Art in New York City, and the Hirshhorn Museum and Sculpture Garden in Washington DC. Her painting ‘Fourth of July’ is part of the White House art collection.

Summer Art

With spring coming to a close, and the first day of summer coming next Wednesday, I thought I’d share a few of my favorite summer themed artworks. Happy summer!

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A Bigger Splash 1967 by David Hockney born 1937

ABOVE: David Hockney, A Bigger Splash, 1967, acrylic on canvas, 95.5 x 96 x 1 inches, Tate, London

 

ABOVE: Edward Hopper, Ground Swell, 1939, oil on canvas, 36 x 50 inches, National Gallery of Art, Washington DC

ABOVE: Vincent van Gogh, Fishing Boats on the Beach at Les Saintes-Maries-de-la-Mer, 1888, oil on canvas, 25.6 x 32 inches, Van Gogh Museum, Amsterdam

ABOVE: Claude Monet, Poppy Fields near Argenteuil, 1875, oil on canvas, 211 x 29 inches, The Metropolitan Museum of Art, New York

on-the-beach

ABOVE: Pablo Picasso, On the Beach, 1937, oil, conté crayon and chalk on canvas, 50.7 x 76.4 inches, Solomon R. Guggenheim Museum, New York

 

The World’s Oldest Known Artwork

Contrary to popular belief, the world’s oldest known artworks aren’t in Europe. They are in Indonesia, and they’re much, much older than previously thought.

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ABOVE: Cahyo Ramadhani, Hand Prints in Pettakere Cave at Leang Prehistoric Site, Maros

Although known and used by locals for a long time, the Pettakere cave in Indonesia wasn’t “officially” discovered until 1973. Once found, archaeologists falsely assumed that the tropical air would have faded the artworks, so they estimated them to be about 10,000 years old. In 2011, the crust which had formed atop the paintings was examined, and a new estimate of 35,000 to 40,000 years was given. Today, they are widely believed to be the oldest artworks in the world.

The imagery inside the cave consists of multiple hand prints and a painting of a hog deer. It is believed that the palm prints were placed there to ward off evil spirits while people slept. The significance of the deer is unknown.

Also unknown, is whether the imagery and style arose independently in Indonesia, or was brought there by early humans leaving Africa.

“It allows us to move away from the view that Europe was special,” said lead archaeologist Maxime Aubert. “There was some idea that early Europeans were more aware of themselves and their surroundings. Now we can say that’s not true.”