Last week, I stayed in a lodge just outside Algonquin Park. Here are some of my favorite pictures from the trip. If you haven’t been, I suggest you go. It’s beautiful.
The three books below were chosen, in part, for their accessibility. The older I get, the less patience I have for academic writing:
This simple book contains inspirational quotes from a wide variety of artists on various parts of the creative process. It’s a quick and unassuming book that I re-read every couple of years.
This very long book covers a ton of material, but it does so in a very easy to read and navigate format. Basically, every period of art, from cave to modern is given a quick recap in about ten or so pages. It’s easy to read a chapter before bed.
There are many books that can help you navigate the business aspects of your art practice. I’ve found this one to be a helpful point of reference.
I recently watched the film The Square. Here are some quick thoughts:
I like just about anything that critiques the art world (in part because it is so foreign to me), so I had been looking forward to seeing The Square for a while. If, like me, it’s a critique you’re looking for, this film is for you – it pulls no punches.
Overall, I liked this movie. I thought it was a bit-long, and at times slow, but when it picks up, it really nails it. Two scenes in particular, the performance (in the photo above), and the press conference near the end of the film are exceptional.
I really don’t want to give too much away, and I promised a very short review, so, if you like artsy films about art, this one’s worth checking out.
If I could do anything, I’d make art full time, but as I live in the real world, I have to work full time. That’s okay. I’ve managed to balance the two quite well – and am generally happy to do so.
That said, working for a living often comes with it’s own challenges, and in my case, requires a little re-invention from time to time. Working in a field ripe for automation, I recently went back to school, and after completing a course in Project Management, decided to write the CAPM (Certified Associate in Project Management) exam.
The exam was a huge challenge. Rather than working on art in my spare time, I put all my supplies away, and studied every day for nearly three months (1-3 hours a day during the week, and 6-7 hours a day on weekends). I’m happy to say, I passed on my first attempt.
While I still have a lot of work to do putting the certification to use, the challenge it posed was an excellent experience. It worked my brain in ways that hadn’t been worked in a while (if ever), boosted my confidence, and gave me a sense of control over my future. The fundamentals of project management will probably help a lot when it comes to the business aspects of my art as well.
What did I do with my first study free weekend? I worked on my art.
ABOVE: Francisco Goya, The Third of May 1808, 1814, oil on canvas, 106 x 137 inches
ABOVE: Eugene Delacroix, Liberty Leading the People, 1830, oil on canvas, 102 x 128 inches
ABOVE: Rembrandt van Rijn, The Night Watch, 1642, oil on canvas, 142 x 172 inches
ABOVE: Rene Magritte, The Treachery of Images, 1929, oil on canvas, 23 x 31 inches
ABOVE: Salvador Dali, The Persistence of Memory, 1931, oil on canvas, 9.5 x 13 inches
ABOVE: J.M.W. Turner, Slavers Throwing overboard the Dead and Dying – Typhoon coming on, 1840, oil on canvas, 35.7 x 48.3 inches
ABOVE: Pablo Picasso, Les Demoiselles d’Avignon, 1907, oil on canvas, 96 x 92 inches
ABOVE: Grant Wood, American Gothic, 1930, oil on beaverboard, 30 x 52 inches
ABOVE: Vincent van Gogh, The Starry Night, 1889, oil on canvas, 28.7 x 36 inches
ABOVE: Edward Hopper, Nighthawks, 1942, oil on canvas, 33.1 x 60 inches
ABOVE: Georges-Pierre Seurat, A Sunday Afternoon on the Island of La Grande Jatte, 1884-1886, oil on canvas, 81.7 x 121.25 inches
Above: An Ai Weiwei sculpture as seen at Toronto’s Nuit Blanche
“If my art has nothing to do with people’s pain and sorrow, what is ‘art’ for?”
“An artwork unable to make people feel uncomfortable or to feel different is not one worth creating. This is the difference between the artist and the fool.”
“When human beings are scared and feel everything is exposed to the government, we will censor ourselves from free thinking. That’s dangerous for human development.”
“I call on people to be ‘obsessed citizens,’ forever questioning and asking for accountability. That’s the only chance we have today of a healthy and happy life.”
“To the media, I have become a symbolic figure, critical of China. According to the government, I am a dangerous threat.”
“A nation that has no music and no fairytales is a tragedy.”
“People are always wondering if I am an artist or political activist or politician. Maybe I’ll just clearly tell you: Whatever I do is not art. Let’s say it is just objects or materials, movies or writing, but not art, OK?”
“My work has always been political, because the choice of being an artist is political in China.”
“Why are you so concerned about society?’ That is always the question. And my answer is simple: ‘Because you are an artist, you have to associate yourself with freedom of expression.”
“The people who control culture in China have no culture.”
ABOVE: Richard Prince, I Changed My Name, 1988, acrylic and silkscreen on canvas, 56 x 78.5 inches
Q: What does a momma color wheel say to a baby color wheel?
A: Don’t use that tone with me.
Q: How does Salvador Dali start his mornings?
A: With a bowl of “Surreal”
A bumper sticker for artists: “My other car is a bike, too.”
There was this world famous painter. In the prime of her career, she started losing her eyesight. Fearful that she might lose her life as a painter, she went to see the best eye surgeon in the world.
After several weeks of delicate surgery and therapy, her eyesight was restored. The painter was so grateful that she decided to show her gratitude by repainting the doctor’s office.
Part of her work included painting a gigantic eye on one wall. When she had finished her work, she held a press conference to unveil her latest work of art: the doctor’s office.
During the press conference, one reporter noticed the eye on the wall, and asked the doctor, “What was your first reaction upon seeing your newly painted office, especially that large eye on the wall?”
To this, the eye doctor responded, “I said to myself ‘Thank God I’m not a proctologist.'”
Went to an M.C. Escher exhibition today. All the best prints were on the second floor but unfortunately I couldn’t get there.
Q: What do you call an artist with asthma?
A: Van Cough
ABOVE: Maximilien Luce, The Steelworks, 1895, oil on canvas
If you love art, and even if you don’t, chances are, you’ve heard of a group of artists called the Impressionists. The Art Gallery of Ontario’s latest exhibition Impressionism in the Age of Industry has many of them, including Monet and Pissarro.
While it’s always nice to see the big names represented, as is often the case, many of the best works in this show are by some of the lesser known of the group. One of my favorite pieces was The Steelworks (pictured above) by Maximilien Luce, and one of my favorite artists was Gustave Caillebotte. He figured prominently in the exhibition, and the selection of his paintings showed a progression from expressionism to realism (he and Manet are probably the most realistic artists of the movement).
As for the overall style of the show, what I love most about the Impressionists, is their ability to create work that appears completely different depending upon your proximity to it. Up close, it’s blurry. From afar, it’s very much in focus. All art does this to a degree, but the Impressionists were masters of it.
Owing to its subject matter (industrialization), this isn’t the brightest of exhibitions. That said, while the color palette is often dull, the paintings do show the beauty in the mundane, and the common worker is respected, if not revered.
All told, this is another solid effort by the Art Gallery of Ontario, and a show worth checking out.
Impressionism in the Age of Industry is at the Art Gallery of Ontario until May 5, 2019.