I’ve always been drawn to water, and over the years, I’ve posted a number of water related images to my blog. Here are a few of my favorites. I’ll post more in the future.
.
.
ABOVE: David McDonough, Spin, 2005, acrylic on canvas, 24 x 36 inches
BELOW: David McDonough, Spin (detail)
In my early twenties, I rediscovered a love of art that had laid dormant for years. Like many new artists, I started with painting, and although my first efforts where admittedly bad, over time, I grew better.
The above painting is the result of many years of struggle. By no means is it a masterpiece, but for me, it was the first painting that I finished, took a look at, and said: “yes, you are onto something here.”
Spin, was one of the last paintings I made. Shortly after, I changed course, started experimenting with new materials and subject matter, and began making work closer to what I make today.
Whether it’s refining my skills, style or message, making art will always be a challenge. It’s sometimes helpful to look at past projects to gauge where you came from, where you are, and where you want to go.
.
ABOVE: Edward Hopper, Chop Suey, 1929, oil on canvas, 32 x 38 inches
First, here is a quick timeline of the painting:
To date, no one has gone on record to state why things went down the way they did. Did Ebsworth have a falling out with the museum before he died? Does his family need the money? We may never know. Sadly, the painting (and others from the collection) may now disappear into a private collection.
.
ABOVE: Edward Burtynsky, Dandora Landfill #3, Plastics Recycling, Nairobi, Kenya 2016 (Detail), pigment inkjet print
BELOW: Edward Burtynsky, Oil Bunkering #1, Niger Delta, Nigeria, 2016 (Detail), pigment inkjet print
I’ve long been a fan of Edward Burtynsky’s photography, and the film Manufactured Landscapes is one of my favorite documentaries. For those reasons, I was super excited to check out his latest exhibition, Anthropocene at the Art Gallery of Ontario. In it, his photographs are presented alongside the work of filmakers Jennifer Baichwal and Nicholas de Pencier.
For those unfamiliar with Burtynsky’s work, he travels the world documenting the effects of humans on the ecosystem. His photographs are superbly done, beautiful, and sad.
For those unfamiliar with the term Anthropocene, it is defined as follows: From the Greek anthopos, meaning “human being” and kainos, meaning “new” or “recent.” It is the proposed current geological epoch, in which humans are the primary cause of permanent planetary change.
This is an often stunning, often depressing exhibition that will leave you with a lot to think about. Information is presented in a non-preachy manner, and viewers are left to draw their own conclusions. It is truly global in its scope, and contains images from both developed and developing nations.
Anthropocene may be the most important exhibition the Art Gallery of Ontario has had all year. If you put the time and effort in to see Infinity Mirrors, you should definitely come see this.
Antropocene is at the Art Gallery of Ontario until January 6, 2019.
.
ABOVE: Sculpture by Jean-Robert Drouillard as seen at Musée national des beaux-arts du Québec
ABOVE: Spider as seen at the Royal Ontario Museum
ABOVE: Sculpture by Jean-Robert Drouillard as seen at Musée national des beaux-arts du Québec